- معلم: Isabel Alves
- معلم: MARIA DUARTE
- معلم: Luís Monteiro
- معلم: Joana Rodrigues
This course aims to provide students with a comprehensive understanding of the contemporary world. It is organised thematically and explores a selection of key historical ideas that shaped cultures and societies from of social, economic, and political perspective. These include: nationalism, imperialism, Communism, Fascism, racism, eugenics, feminism, Europeanness, and globalisation. By the end of the course, students are expected to be familiarised with the historical debates surrounding each of these concepts. They will also have assimilated the analytical tools to use them in a critical way.
Each subject will be studied over two sessions, themselves divided into three types of activities: a lecture, a film display, and a debate session. Films, whether fictional or documentaries, are used as sources of
historical knowledge. They also constitute the starting point for the debate in the classroom. Lectures and mandatory readings will support the learning process. Debate is thoroughly stimulated as part of aninteractive learning process.
Evaluation:
- Individual participation (15%)
- Précis of a text (15%). Each student chooses a text from the bibliography and writes a structured summary of it (500 words) Deadline: 25 November 2024.
- PowerPoint presentation (30%). Group work . Topic chosen from the course themes. Duration : 25 mins. (15 slides max.) Deadline: 9 December 2024.
- Essay (40%). Topic chosen from the course themes. A critical stance is expected in relation to the subject and bibliography (1,500 words). Deadline: 9 December 2024.
- معلم: Duncan Simpson
"Why is editing so important?
In fact, we can make a big impact with a continuous shot (look at the beginning of “The Player” for instance). We turn on the camera and record something with a single shot, post it on YouTube and get millions of likes!
What's interesting is that none of this is new! This is exactly how movies started: with single-shot movies.
The idea of being able to edit films didn't occur to the Lumière brothers, or even to Edison. In a way, the early years of cinema are very similar to most of the things we see on YouTube today.
For cinema - from a purely practical perspective - the invention of editing means that we are no longer limited by what we can achieve with a single shot, but we now have the possibility of telling any story by aggregating shots into a set of combinations that are limitless.
But there is another aspect to editing that is strange and even miraculous. When two shots are juxtaposed, it is the viewer who makes the connection between them. The result of this connection can be a completely new idea that doesn't exist in either of the two shots when seen separately.
When you multiply that by tens, hundreds or thousands of cuts and juxtapositions, you get a fantastic interaction between what's happening on the screen and what's in the audience's mind."
MURCH, Walter, Guardian's Corrections and clarifications column, 2008
- معلم: Nelson Tondela